The Maze Runner Film Review

<br /> The walls will haunt them until they find a way out.

Rarely do I say a movie is better than the book, however I must admit that I did enjoy The Maze Runner film more than I did its source material. The director Wes Ball (with the help of script writer Noah Oppenheim) takes a few creative liberties, while remaining rather faithful to the book, which streamlines the plot and helps to flesh out some characters in a way that was unfortunately absent in the novel. The premise is intriguing enough to hook in non-readers of the series, everyone knows dystopian post-apocalyptic themes are all the rage right now.

We open with our protagonist (played by Dylan O’Brien) in the dodge looking elevator (the box), moving slowly- before gaining momentum- upward. He’s disorientated and freaking out, understandably, as the lift moves faster. When the box grinds to a halt and the doors open, he finds himself with a colony of boys who welcome him to the Glade – a large open field surrounded by enormous concrete walls. He has no knowledge of where he is, doesn’t know where he came from, and he can’t remember his parents, his past, or even his own name. I like that his name literally gets knocked back into him- it takes getting punched out for him to remember that his name is Thomas.

Thomas is just getting used to working without asking too many questions with the seemingly-wise Newt (Thomas Brodie-Sangster), tolerating the douchetastically brutish Gally (Will Poulter), and becoming fond of the adorkable Chuck (Blake Cooper) when he’s attacked by someone stung by a griever (biomechanical creatures in the maze) and his questions come right back. Back with such force that in a moment of sheer adrenalin he breaks protocol and runs into the maze after my fav- I mean- Minho (Ki Hong Lee) and Alby (Aml Ameen) as the huge walls close.

The arrival of Teresa (Kaya Scodelario), a girl with links to Thomas’s past, delivered via the box bearing a note saying she’s the last one ever, alerts you to the fact that the proverbial ‘it’ is indeed about to go down. Soon enough the boys aren’t just fighting against the grievers and institutionalisation but amongst themselves with regard to rules, power and the pecking order. William Golding would be stroking his beard with keen interest. The film doesn’t shy away from doing its darned best to elicit feelings of concern for the characters, even if you’ve read the book there are enough differences to warrant you wondering if they’re going to go full rogue with the storyline.

I’m liking the direction they’ve taken with the plot and our characters, especially Thomas and Teresa. Thomas doesn’t annoy me as much as he did in the book. If at all. Teresa is given much more agency, seriously the changes to the plot to allow Kaya more screen time and Teresa a bit more growth worked wonders for the character. They’ve done away with the telepathic link between the two, which I liked. It forces the script to be tighter and not waft about with two characters talking to each other in their heads as everyone else looks on as the awkward silence lengthens.

Visually the movie’s rather pretty, and I’m not just talking about the cast. The film is prettily shot, making the glade appear rather lovely and the maze is as ominous and colossal as you would imagine it to be with the grievers being the perfect mix of terrifying and disgusting. The cast had excellent chemistry, believable comradeship and the budding bromances, with enough moments of tension-relieving humour to allow you space to breathe. However the movie does suffer slightly from pacing problems, starting off a bit slow before suddenly kicking it up about 400 notches so that everything in the second half of the film feels like it’s happening all at once. They hit you with a whole lot of exposition at the end, but I suppose it’s either that or you and the gladers leave utterly confused about everything- not that there’s too much clarity for our protagonists when they leave. The whirlwind explanation of WCKD leaves you slightly breathless before the final twists that punch you right in the feels. WCKD is good…?

The Maze Runner opens in NZ theaters on Sept 25th.

Check out the extended trailer

Maze Runner Film Reaction and Scorch Trials is a GO!

While we can’t post our full review just yet we had to express our feels a bit after seeing The Maze Runner (because you know we had our qualms about the series in the past). And yet we weren’t too apprehensive going in, the concept is awesome and the cast is great, even if the book series made me want to punch puppies? Right? RIGHT? SO, it’s with great joy I report that the film, in my most humble opinion, is so worth the emotional turmoil of the series. The film was was pretty darn good. They even managed to make me like the characters I wanted to punch repeatedly in the books (no really, check out our spoilerous reviews) cough Thomas and Teresa cough. Also, excellent news about the sequel after our feelsplosion. Without further ado…JawkwardLOL’s reaction to The Maze Runner.

At the start we were like:

And then that thing happened (yeah you know what it is if you’ve read the book) and we were like:

At one point we punched the air like:

And then felt punched in the gut:

And we just sat there like:

But by the end all we wanted to know was…when’s The Scorch Trials coming out?

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Well, great news! Apparently they’ve already got preproduction underway (with filming scheduled to start soon) in New Mexico… two weeks before The Maze Runner even hits theaters in the US. We’re freakin’ out over here, because that means the sequel is a go. We repeat, the sequel is a GO! But uh, we already knew that didn’t we? Because…c’mon. Unfortunately for us Kiwis our film’s release date is a week after ‘Murica. Get thee to a cinema on the 25th of September!

There are many reasons to. Many reasons.

Maze Runner :):):):):):):):):):)

Check out this clip from the film:

The Worst Football Team In the World? ‘Next Goal Wins’ Review

The heartwarming documentary about the worst football (soccer) team in the world, American Samoa. Not Samoa Samoa, the other guys. Just kidding, we love you Amerika Samoa.

Next Goal Wins, the 2014 British sport documentary directed by Mike Brett and Steve Jamison, chronicles the national football team of American Samoa in their efforts to qualify for the 2014 FIFA World Cup- and improve their world-ranking. American Samoa’s football team is an international laughing stock, seriously the opening montage of footage from their record-breaking 31-nil loss game against Australia in 2001 is just sad. However despite not having won in over a decade the team continues to stay together. For it’s the love of the game itself that keeps this ragtag team- which includes the goalie (Nicky Salapu) from that faithful match against Oz and a fa’afafine (my favourite person in the doco, Jaiyah Saelua)- together as they train for the next World Cup and a chance to redefine their international rep.

With the help of Dutch maverick Thomas Rongen, who flies in from the US to coach them for their World Cup 2014 qualifying matches, and the fighting spirit of a team with nothing to lose and everything to gain, Amerika Samoa’s team shows how defeat can be character-building. I know, you should see our league team’s ranking.

Check out the trailer below if you haven’t seen it yet and grab the DVD, it’ll make you feel warm and fuzzy and perhaps want to triumphantly punch the air once or twice. The visuals are stunning and there’s a genuine feeling of admirable relentlessness you gain after watching, and despite the predictable outcome you’re left with an overall sense of pride- even if you’re not much of a football (or American Sa) fan.

The Raid 2: Berandal - DVD/BLU-RAY NZ Release Talk

The Raid 2It’s not over yet- is it ever over? Nah seriously, is it?

NZ DVD/Blu-Ray Release: 14th August 2014.

The Raid 2: Berandal sees Iko Uwais reprise his role as Rama- the rookie Jakarta cop who littered the halls with the broken bodies of gangsters during The Raid: Redemption in 2011. After fighting his way out of the rundown building filled with ruthless thugs and deranged folk, Rama was under the impression that he could go back to living a quiet life with his wife and kid. LOLNOPE.

Director Gareth Evans’s follow-up to the critically acclaimed The Raid manages recapture the adrenalin that made the initial film so good while doing its damned hardest to be even more brutal and pain-cringe-inducing than its predecessor. Rama’s opponents from the first raid were crazy, but they’re nothing compared to what’s in store for him. His actions in the first film means he’s attracted the attention of those at the top of the criminal foodchain putting his life, and more importantly to him, the lives of his wife and son at risk.

Forced to go undercover and basically fight his way through the hierarchy of competing forces in order to incover the corrupt politicians and police pulling the strings at the top of the heap, Rama begins a new odyssey of violence, a journey that will force him to set aside his own life and history and take on a new identity as the violent offender “Yuda.”

We’re introduced to some rather delightful* characters along the way, and of course the fight scenes are epic- beautifully gruesome and tightly choreographed and just so, so, epic. Sure the runtime is a bit of a killer, heh, and the film could have done with a bit of a condensing as a result, but I wouldn’t trade in any of the fight scenes for anything.

Seriously though, check out this teaser trailer:

FOUR out of FIVE Pained Silent LOLs

Preorder/Grab a copy on DVD for $29.99 or Blu-Ray for $34.99.

 

*

The Fault In Our Stars - Film Review

tfiosThe Fault In Our Stars
Directed by Josh Boone
20th Century Fox
Worldwide Release: June 5th/6th 2014

We fell in love with this movie the way you fall asleep, slowly… and then all at once. Fans of John Green’s young adult novel of the same name have been patiently awaiting the release of The Fault In Our Stars since a division of 20th Century Fox optioned the rights to adapt it in early 2012. We attended the screening in May and upon entering the theater, cleverly filled with critics and fans, the audience exuded a genuine sense of anticipation. As the lights dimmed and the opening credits began there were a few squeals of excitement. I don’t know what I expected of Josh Boone’s endeavour, but I do know that I came away rather satisfied with the outcome.

The adaptation was a thoroughly enjoyable, rather faithful, rendering of John Green’s work. The casting was ace, the music on point and although there were a few scenes that I discovered didn’t translate well onto the big screen- the film didn’t suffer for it. In fact the omission of some aspects in the novel served to streamline the storyline in the film.

For those who haven’t heard of this ‘sick love story’ (have you been living under a rock?) the plot follows the life of one Hazel Grace Lancaster (played by Tris Prior, I mean Shailene Woodley) who meets Augustus Waters (Caleb Prior- I thought I’d finish the joke but now I just feel cheap- Ansel Elgort) at her cancer support group in the ‘literal heart of Jesus’. The Fault In Our Stars isn’t just about the relationship between two teenagers living with cancer, it’s about their ability to keep on keepin’ on despite having the weight of their mortality on their shoulders. The potentially mawkish subject matter was treated with just the right amount of honest humour, and bursts of tragic realism, that there was only an ever-so-slight teetering on the edge of over-sentimentality. It really was saved by moments of light-hardhearted self-deprecating humour. It’s always good when a movie doesn’t take itself too seriously.

eggs

A lot of this humour came in the form of one Isaac, (portrayed by the delightful Nat Wolff) Gus and Hazel’s friend also in cancer support group, who benefited from a well-written script that granted him some excellent lines. Laura Dern and Sam Trammell, Mrs and Mr Lancaster, were the perfect combination of fun[ny] and loving if weary (just below the surface) parents. Willem Dafoe made a formidable Peter van Houten- infusing the abhorrent character with just enough repugnance as to ramp up the author’s hateability. However the onus fell upon Woodley and Elgort to give us that chemistry we needed in order to believe the opinionated Hazel-Grace and pretentious Augustus were worth watching on the big screen- and boy did they deliver. There isn’t a moment that you don’t believe their emotion, from their first awkward exchanges and laughter to the tears and pain of heartache- there’s no escaping that belief.

It helped that we had an excellent soundtrack, with the right songs for the right moments, loud enough to drown out some of the sniffling in the audience. With artists like Ed Sheeran and Birdy contributing music written especially for the movie it was a wonder that there were any dry eyes in the house. While I can’t say that I, myself, allowed a tear to drop there were plenty buckets of creys around me to assure me that normal humans with emotions were suitably affected.

We gave it a FOUR out of FIVE Silent LOLS. Because while I can’t say that everything translated over well, the movie did the book justice where it really mattered. The film managed to make us laugh, cry and more importantly walk out of the cinema with a new found sense of life and what it means to truly live. The film had the potential to be a real Debbie-Downer but instead managed to instil a sense of hope that transcended the heartbreak. Proof that although the world may not be a wish-granting factory there were some things, and people, in it that you’d feel privileged to be heartbroken by. [Re]watch the trailer below and make sure you’re (mentally, emotionally and physically) ready by reading ‘A Fangirl’s Tale’. Okay? Okay.

Honourable Mentions:

- That’s the thing about pain, it demands to be felt.

- So I now know why I didn’t see John Green’s cameo, the scene was cut from the film. While it seems he would have replaced the mum who pulls her daughter away after the girl asks Hazel about her cannula, I was really hoping it’d be just a glimpse of him in the background in the airport against a wall vlogging. Oh well.

 

The Wind Rises Review - Hayao Miyazaki’s Final Directorial Masterpiece

Kaze Tachinu (The Wind Rises) Copyright © 2013 Nibariki - GNDHDDTK All rights reserved. © 2013 Studio Ghibli

Kaze Tachinu (The Wind Rises) Copyright © 2013 Nibariki - GNDHDDTK All rights reserved. © 2013 Studio Ghibli

The Wind Rises
Directed by Hayao Miyazaki
Studio Ghlibli
Original Release: 2013
NZ Release: 2014

“Airplanes are beautiful dreams.”

Hayao Miyazaki’s final directorial masterpiece The Wind Rises (Kaze Tachinu) is a visually stunning- if morally ambiguous, highly fictionalised, biographical film. The narrative itself is a mix of the life and times of aeronautical engineer Jiro Horikoshi (visionary designer of the famed ‘Zero’ WWII Japanese fighter) and Tatsuo Hori (poet and author of the 1938 novel The Wind Has Risen) to create Jiro- our protagonist in this epic, romantic albeit tragic, tale of fulfilling one’s dreams in an ever-chaotic world. With the title of the film coming from Paul Valéry, “The wind is rising, we must try to live.”

There’s a keen blending of the pastoral and industrial- beautiful planes that keenly resemble birds in flight- finding the beauty in almost anything like a simple fish-bone- natural disasters that give off strange, almost mechanical, sounds and sweeping aerial shots. While the film itself is a far cry from Miyazaki’s more fantastical work, key moments see us into Jiro’s dreams where he not only meets his hero Caproni, who serves as a sort of spirit-guide, but where he is able to visualise his creations and goals.

The Wind Rises Directed by Hayao Miyazaki Studio Ghlibli Japan Release: 2013 NZ Release: 2014

In sheer emotion, creative direction, visual brilliance and narrativity- Miyazaki does it again and, according to him, for the last time in the director’s seat. Granted he’s retired a few times now, hasn’t it? It’s a bittersweet moment, knowing that this is to be the filmmaker’s swansong when Caproni tells Jiro in a dream, “I’m retiring. This is my last design.”

While there has been criticism in regards to the way in which the film seems to gloss over the atrocity of wartime events- with the somewhat idealised portrayal of a protagonist who designed planes for use in the second world war. However you do get the sense that these characters are resigned to their fate. Jiro doesn’t want to design planes for war, his dream is just to design planes. However unfortunately his life is that of servitude to a government that seemingly turn a blind eye to their peoples’ suffering in favour of furthering their military.

It’s a beautifully animated, poignant, film that leaves you hopeful about life, love and friendship. It surprises you with tiny moments of humour in an otherwise tranquil story set during a very unsettling, destructive, time in history.

We give it FOUR out of FIVE Silent LOLS.

Madman Entertainment acquired The Wind Rises in September 2013 for release in Australia and New Zealand in early 2014 and have brought the animation back for a limited season. You can catch it at Bridgeway in Auckland, the Lighthouse Cuba in Wellington and the Rialto in Tauranga. Bridgeway is screening both the subtitled and dubbed versions of the film, while the Lighthouse will only be screening the subtitled version.

If you watched the dubbed version you’ll recognise some familiar voices.

English dub cast

  • Joseph Gordon-Levitt as Jiro Horikoshi
  • Emily Blunt as Naoko Satomi (spelled “Nahoko” in the end credits)
  • John Krasinski as Honjo
  • Martin Short as Kurokawa
  • Werner Herzog as Castorp
  • William H. Macy as Satomi
  • Darren Criss as Katayama
  • Mae Whitman as Kayo
  • Mandy Patinkin as Hattori
  • Jennifer Grey as Mrs. Kurokawa
  • Stanley Tucci as Giovanni Battista Caproni
  • Elijah Wood as Sone
  • Ronan Farrow as Mitsubishi employee
  • Zach Callison as Young Jirō

Original Japanese cast

  • Hideaki Anno as Jiro Horikoshi
  • Miori Takimoto as Naoko Satomi
  • Hidetoshi Nishijima as Honjo
  • Masahiko Nishimura as Kurokawa
  • Stephen Alpert as Castorp
  • Morio Kazama as Satomi
  • Keiko Takeshita as Jiro’s mother
  • Mirai Shida as Kayo Horikoshi
  • Jun Kunimura as Hattori
  • Shinobu Otake as Mrs. Kurokawa
  • Nomura Mansai as Giovanni Battista Caproni

For huge fans, check out The Art of the Wind Rises. The book features art from the film, allowing you a glimpse at what went into making The Wind Rises from conception to production, along with in-depth interviews with the filmmakers.

Film Review: Divergent - Faction Before Blood

2014-DivergentDivergent
Directed by Neil Burger
Summit Entertainment | Lionsgate
NZ Release: 10 April 2014

I was eager to see how the book would translate onto the big screen and I must say, despite a few gripes, I rather enjoyed it. The action/fight sequences were on point and the visuals were pretty good- despite its less than stellar budget. However I can’t deny that there were a few things, the more I think about it, that didn’t sit quite well with me. While it doesn’t hurt that Four (Theo James), Beatrice Prior aka Tris (Shailene Woodley) and the entire cast really give some great performances, and are mighty-easy on the eye, there were moments where you wondered if anyone who hadn’t read the books would understand what exactly was going on.

Worry not, whether you’ve read the book series or are going in blind, this half of the review is safe and spoiler free.

Shailene Woodley and Theo James in Divergent trailer GIF

If you’ve read the book, you’ll find there were some scenes noticeably absent from the movie- methinks for the mere fact that it errs on the ‘too graphic’ side of things for a comfortable PG-13 rating. (Although I swear they snuck in the f-bomb. Could be my ears?) Also, there are some characterisation changes that may or may not have been due to casting, but first thing’s first:

Yer Divergent, Tris!

So we know the basic storyline from the trailer, a place set in a future, Dystopian, Chicago- with a suitably Dystopian-type fortification/fence/wall- where society is split into five distinct factions (Abnegation, Dauntless, Erudite, Amity and Candor) based on five distinct virtues/traits (selflessness, bravery, intelligence, peacefulness and honesty). At the ripe old age of 16, with a little help of an aptitude test that should tell you what faction you’re geared towards, you’re to choose which faction you want to be part of for the rest of your life. That’s right, no take backs! Once you’ve chosen- that’s it, from there on out it’s “Faction Before Blood”.

With rather stunning aerial shots of a post-apocalyptic Chi-town showing in the background Tris’ voice-over makes it clear from the get-go that while “the system is designed to foster peace” it’s more about control than anything else. And the movie really hammers it into you that this mass categorization of society is merely a means of control.

If you exhibit more than one distinct trait you’re ‘what they call’ Divergent, and that -my friend- is a no no. It is this very predicament the Abnegation-born Tris, who doesn’t fit into any particular category, finds herself. At the Choosing Ceremony she chooses Dauntless, those crazy sons of britches (yes, I do mean pants) and the fun begins. By fun I mean getting the crap kicked out of you and basically getting around by parkour/free-running all the time.

I’m going to go ahead and say that any comparisons to The Hunger Games are unwarranted for the mere fact that if anything Divergent in the grand scheme of things has more in common, plot-wise, with an entirely different series- The Maze Runner. Justification below in the Spoiler Corner- enter at your own risk. Also, if you’re understandably sick of angsty love-triangles Divergent will be a breath of fresh air.

While the movie felt a bit too long, it never felt like it was dragging- except for an extended scene at the end which really milked the high intensity climax for all it was worth. And yet, once things started moving there didn’t seem to be any room to catch one’s breath let alone understand what was going on. I did find myself wondering how the movie would come across to people who hadn’t read the series. There’s a chance the uninitiated could get lost once the pace picks up.

One thing’s for sure, you’ll like the characters- mostly because you’re not given much insight into them. Although we’ll see how that likeability is sustained in the next two movies as we, hopefully, get more. Thank goodness the cast meshed well, making what was some awkward dialogue in places, work. Kate Winslet suffered from Jeanine’s obvious ‘villainry’- I get that it makes for easy storytelling and with the way the novel itself is set up we don’t fully appreciate/understand these characters’ rationales until Allegiant. But you’d think the screenwriters would have found a way around it.

Which is why the movie’s a bit of a fanservice, because anyone who hasn’t read the books might come out thinking the characters were bland and the premise of the story mirrored other YA narratives like no one’s business. It doesn’t help that they utilised shaky cam at points, in a way that was very Hunger Games. For a movie heavy on exposition at the start there is almost no explanation towards the end when the pace picks up. Nevertheless when it comes out on the 10th of April, I’ll no doubt be glad to take my sister to see it again.

As a fan of the series I’m very glad Divergent is practically critic-proof right now, and that we should see Insurgent come 2015. However because of those little hiccups we must give it THREE out of FIVE Silent LOLs. Which is unfortunate because I really wanted to give it…

 

out of FIVE Silent LOLs.

Giggity.

 

Honourable Mentions :

- I really do like the casting and watching the movie confirmed it for me. I heard/read dissent about Shailene Woodley somewhere but *shrug* haters gon’ hate. Theo James’ voice tho’.

- Anyone else Silently LOL about Miles Teller, who played Shailene’s character’s love-interest in The Spectacular Now being her antagonist/rival here and at Ansel Elgort, playing her brother here when he’ll be her love-interest in The Fault in Our Stars? Just me? Okay.

- Amity is totally for the stoners. There, I said it lol.

- Kate Winslet gives good side-eye. That sounds rude, but I assure you we’re keepin’ it PG-13.

- Go take the official aptitude test and find out what faction you’d fit in. (My results show I score Erudite and Dauntless..lol and Candor?)

Divergent Aptitude Results

SpoilerAlertSpoiler Corner! (Not really a corner, is it?) Only go past this point if you’ve read the books, or just don’t care about spoilers. You’ve been warned.

More Maze Runner than Hunger Games:

Jess and I were talking about the series as a whole and how people keep comparing Divergent to The Hunger Games however if you take a step back- and view the series as a whole you’ll find that Divergent has much more in common with The Maze Runner than it does with The Hunger Games outside a female protagonist, a corrupt governing body and a Dystopian future setting. The Maze Runner has also been made into a film, which will be released this September. Spoilers for Both Allegiant and The Death Cure below.

As a whole Tris’ and Thomas’ (Maze Runner) worlds have much more in common than Tris’ and Katniss’. More social behaviour experiments and science than the divide between the haves and the have nots.

Both protagonists in Divergent and The Maze Runner were ‘free’ from whatever it was that the others suffered from. Tris’ genes were ‘healed’ and Thomas didn’t suffer from the flare. Both their original governing officials were responsible for the apocalypse? With manmade weapons/experiments?

So it’s really annoying how people keep comparing it to The Hunger Games when all Divergent really has in common with THG is a strong female lead and a post-apocalyptic/dystopian world.

Peter

Don’t get me wrong, Miles Teller made for great comic relief at points- however that’s the problem. In the book Peter is legitimately seen as a threat to Tris’, and Jess fears that the way the movie’s characterised him is problematic. They’ve made Peter a somewhat lovable douche as opposed to the outright antagonist he is in the novel.

They also nixed the extremely brutal eye-stabbing scene, when Peter proves just how cowardly he is by stabbing Edward (who would have been the number one initiate) in the eye causing him to become factionless as he would not have been able to complete the initiation.

Where’s Uriah?

I do believe the black guy who invited Tris along to zip-lining after capture the flag might be him, but we’re not explicitly given his name. I NEED MY URIAH! Also, Marlene and Zeke and any Dauntless born member. Uriah especially, considering how important he becomes- you’d think they would want to at least introduce him- as it’s HIM that invites Tris to do zip-lining. Insurgent it is then.

Rapey?

I did that thing where you skim tweets and posts on tumblr to gage the general impression from fans and something that I wondered about while watching the movie seemed to be mentioned quite a bit. In the book one of Tris’ fears that shows up in her landscape is a fear of intimacy- in the movie it comes off as though Tris is afraid of Four raping her? The novel makes it very clear that Tris isn’t afraid of Four/Tobias as a person, however the idea of intimacy is such a foreign concept to her- having grown up in Abnegation- that it manifests itself as a fear of being intimate. Perhaps they needed to amp up the urgency of the her fear and the unfortunate by-product is the unpleasantness that moviegoers will subconsciously link to Four.

I do commend how Tris handles herself in that situation. Boom, pow! Onomatopoeia!

Visiting Day?

Visiting day was left out, which is interesting because I can see what they were doing with making Tris’ mum even more badass by stealing away to sneak a meeting with Dauntless guards about. However it therefore leaves out her mum telling Tris that Abnegation parents don’t get to visit their children in Erudite. Which Tris then tells Caleb when she sneaks into Erudite’s headquarters- sowing the seeds of doubt in him about his faction. And further establishing Erudite’s dodginess lol.

But most importantly, where was the Dauntless Cake?