Dreams of Gods and Monsters - Book Review

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Title: Dreams of Gods and Monsters

Series: Daughter of Smoke and Bone Trilogy

Author: Laini Taylor

Publisher: Little, Brown & Company

What an end! And a beginning? Dreams of Gods and Monsters does what all good closers do, leave room for the imagination. With 600+ pages to work with Taylor weaves an, at times dizzying, conclusion to a rather elaborately constructed narrative. There’s a satisfactory end, I suppose, even though we’re left with the sense that the story is far from over.

We were left in a lurch, following the events of the Days of Blood and Starlight and it seemed like Taylor wanted to extend that suspense, setting us up for some grade A plot-twists. Taylor has a flair for ornate prose which, while undeniably gorgeous, can at times become slightly finicky.

Chimaera and the Seraphs face an even bigger danger than themselves, human weapons- Jael is trying to acquire weapons of mass destruction all the while there’s an even bigger danger on the grandest of scales.

We’re going to be honest with you, this has been sitting here in drafts for a long time- so it’s time for a super-fast-rundown of my feels and a super-fast-post because I’m sure you’re dying to know what I thought about the conclusion to DoSaB Trilogy.

- The beginning was confusing, like who introduces a finale with a completely new character that seemingly has nothing to do with the story so far? Of course all is revealed in a way that makes you go ‘oooooh deus ex machina’ much?

- There were enough moments where you wanted to punch both Karou and Akiva in the face.

- The villains were sufficiently villainous. Well done.

- Ziri was the best.

All in all this book did what it was supposed to do, the ending was left open to show that everything wasn’t neatly tied up but things were mending- or on the mend. However I can’t say I loved it as much as the first or second book.

shrug animated GIF

Spoiler Corner:

- I sorta saw Ziri and Liraz coming, it made complete sense tbh.

Film Review: Divergent - Faction Before Blood

2014-DivergentDivergent
Directed by Neil Burger
Summit Entertainment | Lionsgate
NZ Release: 10 April 2014

I was eager to see how the book would translate onto the big screen and I must say, despite a few gripes, I rather enjoyed it. The action/fight sequences were on point and the visuals were pretty good- despite its less than stellar budget. However I can’t deny that there were a few things, the more I think about it, that didn’t sit quite well with me. While it doesn’t hurt that Four (Theo James), Beatrice Prior aka Tris (Shailene Woodley) and the entire cast really give some great performances, and are mighty-easy on the eye, there were moments where you wondered if anyone who hadn’t read the books would understand what exactly was going on.

Worry not, whether you’ve read the book series or are going in blind, this half of the review is safe and spoiler free.

Shailene Woodley and Theo James in Divergent trailer GIF

If you’ve read the book, you’ll find there were some scenes noticeably absent from the movie- methinks for the mere fact that it errs on the ‘too graphic’ side of things for a comfortable PG-13 rating. (Although I swear they snuck in the f-bomb. Could be my ears?) Also, there are some characterisation changes that may or may not have been due to casting, but first thing’s first:

Yer Divergent, Tris!

So we know the basic storyline from the trailer, a place set in a future, Dystopian, Chicago- with a suitably Dystopian-type fortification/fence/wall- where society is split into five distinct factions (Abnegation, Dauntless, Erudite, Amity and Candor) based on five distinct virtues/traits (selflessness, bravery, intelligence, peacefulness and honesty). At the ripe old age of 16, with a little help of an aptitude test that should tell you what faction you’re geared towards, you’re to choose which faction you want to be part of for the rest of your life. That’s right, no take backs! Once you’ve chosen- that’s it, from there on out it’s “Faction Before Blood”.

With rather stunning aerial shots of a post-apocalyptic Chi-town showing in the background Tris’ voice-over makes it clear from the get-go that while “the system is designed to foster peace” it’s more about control than anything else. And the movie really hammers it into you that this mass categorization of society is merely a means of control.

If you exhibit more than one distinct trait you’re ‘what they call’ Divergent, and that -my friend- is a no no. It is this very predicament the Abnegation-born Tris, who doesn’t fit into any particular category, finds herself. At the Choosing Ceremony she chooses Dauntless, those crazy sons of britches (yes, I do mean pants) and the fun begins. By fun I mean getting the crap kicked out of you and basically getting around by parkour/free-running all the time.

I’m going to go ahead and say that any comparisons to The Hunger Games are unwarranted for the mere fact that if anything Divergent in the grand scheme of things has more in common, plot-wise, with an entirely different series- The Maze Runner. Justification below in the Spoiler Corner- enter at your own risk. Also, if you’re understandably sick of angsty love-triangles Divergent will be a breath of fresh air.

While the movie felt a bit too long, it never felt like it was dragging- except for an extended scene at the end which really milked the high intensity climax for all it was worth. And yet, once things started moving there didn’t seem to be any room to catch one’s breath let alone understand what was going on. I did find myself wondering how the movie would come across to people who hadn’t read the series. There’s a chance the uninitiated could get lost once the pace picks up.

One thing’s for sure, you’ll like the characters- mostly because you’re not given much insight into them. Although we’ll see how that likeability is sustained in the next two movies as we, hopefully, get more. Thank goodness the cast meshed well, making what was some awkward dialogue in places, work. Kate Winslet suffered from Jeanine’s obvious ‘villainry’- I get that it makes for easy storytelling and with the way the novel itself is set up we don’t fully appreciate/understand these characters’ rationales until Allegiant. But you’d think the screenwriters would have found a way around it.

Which is why the movie’s a bit of a fanservice, because anyone who hasn’t read the books might come out thinking the characters were bland and the premise of the story mirrored other YA narratives like no one’s business. It doesn’t help that they utilised shaky cam at points, in a way that was very Hunger Games. For a movie heavy on exposition at the start there is almost no explanation towards the end when the pace picks up. Nevertheless when it comes out on the 10th of April, I’ll no doubt be glad to take my sister to see it again.

As a fan of the series I’m very glad Divergent is practically critic-proof right now, and that we should see Insurgent come 2015. However because of those little hiccups we must give it THREE out of FIVE Silent LOLs. Which is unfortunate because I really wanted to give it…

 

out of FIVE Silent LOLs.

Giggity.

 

Honourable Mentions :

- I really do like the casting and watching the movie confirmed it for me. I heard/read dissent about Shailene Woodley somewhere but *shrug* haters gon’ hate. Theo James’ voice tho’.

- Anyone else Silently LOL about Miles Teller, who played Shailene’s character’s love-interest in The Spectacular Now being her antagonist/rival here and at Ansel Elgort, playing her brother here when he’ll be her love-interest in The Fault in Our Stars? Just me? Okay.

- Amity is totally for the stoners. There, I said it lol.

- Kate Winslet gives good side-eye. That sounds rude, but I assure you we’re keepin’ it PG-13.

- Go take the official aptitude test and find out what faction you’d fit in. (My results show I score Erudite and Dauntless..lol and Candor?)

Divergent Aptitude Results

SpoilerAlertSpoiler Corner! (Not really a corner, is it?) Only go past this point if you’ve read the books, or just don’t care about spoilers. You’ve been warned.

More Maze Runner than Hunger Games:

Jess and I were talking about the series as a whole and how people keep comparing Divergent to The Hunger Games however if you take a step back- and view the series as a whole you’ll find that Divergent has much more in common with The Maze Runner than it does with The Hunger Games outside a female protagonist, a corrupt governing body and a Dystopian future setting. The Maze Runner has also been made into a film, which will be released this September. Spoilers for Both Allegiant and The Death Cure below.

As a whole Tris’ and Thomas’ (Maze Runner) worlds have much more in common than Tris’ and Katniss’. More social behaviour experiments and science than the divide between the haves and the have nots.

Both protagonists in Divergent and The Maze Runner were ‘free’ from whatever it was that the others suffered from. Tris’ genes were ‘healed’ and Thomas didn’t suffer from the flare. Both their original governing officials were responsible for the apocalypse? With manmade weapons/experiments?

So it’s really annoying how people keep comparing it to The Hunger Games when all Divergent really has in common with THG is a strong female lead and a post-apocalyptic/dystopian world.

Peter

Don’t get me wrong, Miles Teller made for great comic relief at points- however that’s the problem. In the book Peter is legitimately seen as a threat to Tris’, and Jess fears that the way the movie’s characterised him is problematic. They’ve made Peter a somewhat lovable douche as opposed to the outright antagonist he is in the novel.

They also nixed the extremely brutal eye-stabbing scene, when Peter proves just how cowardly he is by stabbing Edward (who would have been the number one initiate) in the eye causing him to become factionless as he would not have been able to complete the initiation.

Where’s Uriah?

I do believe the black guy who invited Tris along to zip-lining after capture the flag might be him, but we’re not explicitly given his name. I NEED MY URIAH! Also, Marlene and Zeke and any Dauntless born member. Uriah especially, considering how important he becomes- you’d think they would want to at least introduce him- as it’s HIM that invites Tris to do zip-lining. Insurgent it is then.

Rapey?

I did that thing where you skim tweets and posts on tumblr to gage the general impression from fans and something that I wondered about while watching the movie seemed to be mentioned quite a bit. In the book one of Tris’ fears that shows up in her landscape is a fear of intimacy- in the movie it comes off as though Tris is afraid of Four raping her? The novel makes it very clear that Tris isn’t afraid of Four/Tobias as a person, however the idea of intimacy is such a foreign concept to her- having grown up in Abnegation- that it manifests itself as a fear of being intimate. Perhaps they needed to amp up the urgency of the her fear and the unfortunate by-product is the unpleasantness that moviegoers will subconsciously link to Four.

I do commend how Tris handles herself in that situation. Boom, pow! Onomatopoeia!

Visiting Day?

Visiting day was left out, which is interesting because I can see what they were doing with making Tris’ mum even more badass by stealing away to sneak a meeting with Dauntless guards about. However it therefore leaves out her mum telling Tris that Abnegation parents don’t get to visit their children in Erudite. Which Tris then tells Caleb when she sneaks into Erudite’s headquarters- sowing the seeds of doubt in him about his faction. And further establishing Erudite’s dodginess lol.

But most importantly, where was the Dauntless Cake?

 

The Girl of Fire and Thorns Review

Title: The Girl of Fire and Thorns

Series: Fire and Thorns Trilogy

Author: Rae Carson

Publisher: Green Willow Books

Took me a while, but I feel like we should talk about this book, nay this trilogy, by Rae Carson. The Girl of Fire and Thorns is the first book in the Fire and Thorns series about a girl with a precious stone in her bellybutton and if you’re going to read any further I should probably warn you that this review will be riddled with spoilers. So continue reading at your own peril. Also, it’s been out since 2011, I’d be more worried about being spoiled by YOU. I know that doesn’t make sense, don’t look at me like that. Can we just get back to the task at hand? Thank you.

Lucero-Elisa’s a 16-year-old princess of Orovalle who’s been told all her life that she’s this chosen one who bears the Godstone, that stone lodged in her bellybutton I mentioned earlier. As far as protagonists go she’s pretty well-rounded, both physically (at first) and characteristically. She’s got quite an inferiority complex despite being constantly told she’s the ‘chosen one’, and eats her feelings- making her this doughy, rather unlikely, heroine upon first impression. Told in the first person narrative we’re sucked right into Elisa’s world and inner musings, right on her wedding day where she’s having trouble trying to fit into her wedding dress. Her, yes arranged, marriage to a widowed king, Alejandro (Alexander) de Vega, from a neighbouring kingdom- Joya D’Arena, is just the beginning of Elisa’s problems. Carson does a good job of conveying Elisa’s frustration with feeling like a second-rate citizen in her own royal family, especially when she describes her older (much better composed and beautiful) sister. After her wedding to Alejandro, Elisa is shipped off to Joya D’Arena with her new, rather pretty, husband and everything just goes so so wrong- and remains so for quite some time.

The book is first and foremost a bildungsroman, Elisa grows into her own over the course of the novel and it’s quite an interesting transformation from this nearly useless podgy character to a semi-useful sturdy heroine. As a character I see no Mary Sue-ish tendancies, Elisa’s far from perfect even towards the end of the novel. However she has her shining moments, when their company is attacked on their way to Joya D’Arena Elisa manages to save Alejandro’s life, who it seems was frozen in fear at the time, not even the handsome Alejandro is perfect. While she’s physically unfit at the start she’s well-versed in her world’s version of The Art of War.

When she’s kidnapped by a rebellion- which includes a maid who seemingly hates her, Cosmé and her dear sweet brother, Humberto- Elisa is dragged through the desert with them and comes out a better person for it. She loses a lot of the weight, I don’t recommend the Jesus-diet, and with her wit and the help of her trusty prayer stone lodged in her belly she becomes a powerful rebel leader as she experiences firsthand what war against the Inviernos is doing to the people of Joya D’Arena. Side note, as far as foes go, Inviernos are scary but have the most ridiculously long names.

I’ve heard the words ‘Christian-Lit’ thrown about in reference to this series and there are obvious parallels with Christianity- to the point where you think, am I reading Christian Lit? I’m talking, Judeo-Christians, our father who art in heaven, Christian. But it’s all very easy to overlook, for anyone who might be put off by the idea, especially when you factor in the jewels for belly-button magic business.

It’s an engrossing read, don’t just take it from me Tamora Pierce says so on the cover. Carson doesn’t just write a good main character, her secondary characters are all rather complex and fleshed out, with their own motives and stories. From the beautiful Condessa Ariña who’s got something going on with the King to Elisa’s crazy ninja nursemaid Ximena and the noble commander of the Kingsguard, Lord Hector who populate the world she’s created, to the beautifully crafted lands, all with their own characteristics, there’s something truly absorbing about Carson’s writing.

We’re left with the suitable amount of questions that’ll take us into the next installment of the trilogy, Crown of Embers. What with Alejandro dead, it’s now down to Elisa to watch things until Alejandro’s son is of age to take the throne. His death, in the end, was noble I think. The king was sort of a coward to begin with, wasn’t he? As charming as he was, a leader he was not.

Honourable [?] Mentions:

- Was it necessary for Humberto to die? Poor kid, but I suppose in the long run it’s for the best. It never would have worked out between them, unless Elisa was willing to abdicate for him. Extreme, maybe she could have kept a mancubine? (No, I am not struggling to hold in my laughter right now.) Is that the male version of a concubine? This is crass, I apologise.

- Let’s have a look at these covers shall we? It bears mentioning because who’s the girl on the cover here supposed to be? Certainly not the plump, dark-skinned Elisa. Apparently the publishers realised their mistake and changed the cover to that sparkly one up there where you can just make out someone’s face in a huge stone. Wouldn’t want to be accused of white-washing, would we?

Well done on the UK for getting Elisa’s colouring right, however.

- In the Fire and Thorns trilogy, the next Crown of Embers is next. Tune in?

The Death Cure Review

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Title: The Death Cure

Series: The Maze Runner Trilogy

Author: James Dashner

Publisher: Delacorte Press

What’s that I hear? I finished this book months ago and haven’t posted a review despite the fact that the book’s been out for over two years? Pipe down shuckfaces, I’m getting to it. Who’s ready for a chat about the conclusion to James Dashner’s dystopian sci-fi trilogy? Where do I begin, how about I start at ‘can I get an Amen now that that’s over?’ AMEN! Also, fair warning, this review will contain SPOILERS.

Not that it matters, because no questions were answered in the making of this book, apparently. And there were a lot of questions to be asked. Like why Thomas joined WICKED in the first place, and why wouldn’t you want your memories back in order to understand what exactly you were rebelling against?! And who the hell makes a ‘plague’ to control entire populations without first testing out what exactly the bloody side-effects are? If you scratch the plot enough I feel it’ll crumble like a brittle branch on a tree that’ll see you plummet from that place you sit suspending your disbelief.

If, like me, you tore through the book trying to find a reason to like Thomas let me save you the trouble- there isn’t one. I’m kidding, but seriously I think in the end he should have sacrificed himself for the sake of the others. Because sure he considered everyone his friend, he may even have had conflicted emotions in regards to Teresa and Brenda (more of which I will discuss further below in it’s own category of ‘What the actual?’) but in the end Thomas felt like someone being pulled along by forces outside of his control no matter how he responded.

Minho and Newt were the only characters I liked, aside from Jorge who was just around and did cool things like calling everyone ‘brother’ in Spanish- every time he spoke, ‘hermano- what jew doing? Hermano, no don’t do that ese.’ Great characterisation. Now I liked Minho because he was a simple guy- wanted to survive, did what it took and was just likeable. I don’t know whether it was because in contrast to Thomas, anyone could have been likeable, but I found Minho much more pleasant than I did Thomas. Also, the emotion. Minho had more human emotion in his pinky than Thomas seemed to have in his entire body. Chestnut aside, Minho was an interesting character which I would gladly read more about.

Now Newt. Dear, sweet, unfortunate Newt. Another well-written character having to interact with poorly-written ones- I’m looking at you, Thomas. I felt more of an affiliation with the Cranks than I did with Thomas, and I don’t know if this says something about me in particular, or whether it’s because I have a point. I’m going with the latter. Newt, struggling with the weight of knowing he’s slowly going insane with the Flare, wants Thomas to kill him. He’d given Thomas a note to read when the time was right, “Kill me. If you’ve ever been my friend, kill me.” Thomas doesn’t have the balls to do it until much later, shooting Newt in the head. Understandable, who’d want to shoot one of their best friend’s in the head? But it’s choosing the lesser of two evils, letting Newt live out the rest of his days the way he was going, as a Crank, would have been the cruelest option by far.

What the Actual?! I understand the need for a triangle, the romantic angle appeals to the reader, I suppose, keeps ‘em in suspense. Here’s the thing, while romance and a romantic triangle have the potential to humanise a book, when done well, it just aggravates the reader when executed poorly. And it was executed rather poorly here. First of all, it would have benefited from fleshed out female characters. Teresa was around for all three books and I felt like I hardly knew a thing about her, certainly not enough to decide whether or not I liked her- and then she’s just killed off. Thomas’ reaction is priceless. It’s like he’s watching Teresa get onto a train, rather than be crushed to death by a slab of ceiling which she saved him from. If Thomas were to be examined by the authorities, following the death of a spouse, they’d rule that he’d concocted the entire thing in order to start dating Brenda. It just seemed that way, okay? And who the hell is Brenda in the end, but someone who also lied to him from the beginning of their relationship? At least Thomas had known Teresa since he was a child and what she did she did out of necessity- at least in her own skewed way. We won’t really know because Teresa’s motivations were largely kept from us. And we’d also never know if Thomas and Brenda knew each other before the Flare because Thomas refused to let them return his memories. In the end Teresa’s death seemed almost inconsequential to Thomas, I think he cared more about Chuck’s death- and Chuck’s death was a product of WICKED’s control.

I suppose it was a way to redeem Teresa’s transgressions and open up the pathway for Thomas and Brenda to skip happily off to a paradise filled with Munies (derogatory term for Immunes), but it just came off looking like a cop out. Yeah, I said it. Suddenly Teresa was expendable? Honestly, Dashner should have made the ultimate sacrifice and killed off Thomas.

I don’t know if I have much else to offer, if you’ve made it this far I’ll give you this. Dashner’s writing improved, his characterisation took a dive and his world-building, granted it’s ours just set in a world where the our Ozone layer’s gone kaput and the sun’s scorch has ravaged the land and the governments stupidly released a plague to control people but it backfired and ended up making them UNcontrollable, is pretty cool. But this is a series I’m quite happy to be done with.

Doesn’t mean I’m not excited for the film. Yay!

Honourable Mentions:

- I was left feeling like one of the subjects, kept in the dark for the most part and wishing I was somewhere else.

- Even Janson felt more developed than Thomas and he was the bad guy. Also, what a wack job- but then again he had contracted the Flare. What was Thomas’ excuse?

- Chancellor Paige stepped out of those memos and into our hearts. Not really, but Wicked is Good. Also, not really. Every government that took part in the release of the Flare were incompetent fools. Wicked is Stupid, more like.

- I may review Rae Carson’ Fire and Thorns trilogy next. Great female protagonist, interesting world and lore, an all-round epic read. Any thoughts? Anyone? Anyone out there? *echoes*

The Maze Runner - Review (Spoiler free, can it be? Yes, yes it can.)

Title: The Maze Runner

Series: The Maze Runner Trilogy

Author: James Dashner

Publisher: Delacorte Press

When was the last time I reviewed something that wasn’t a TV show or the X Factor NZ? (See what I did there? Snigger.) Well I can’t tell you- technically I could, but there’s no way I’m going to muster up enough bother to go a clicking for the answer. So let’s just have a chat about the Maze Runner by James Dashner already, shall we? Jess has read the trilogy and I’m half way through it, a wee bit late to the party but hey I’m here! Better late than never, better late than lying in a ditch somewhere, am I right? Yes, words to live by, kids. Now, while Jess is traipsing about in LA, I’m in New Zealand where we’ve finally got some sun but I’ve barely noticed it as I’ve foregone any interaction (sort of) with the outside world in my consumption of the series. I’ve only just managed to tear myself away from my kindle to talk about the first book.

I have to say I found the writing itself slightly juvenile, however the plot and characters were intriguing, keeping me completely engrossed if at times exasperated. So we wake up with our protagonist, hero, main character, pal, buddy in an elevator. He doesn’t know who he is or how he got there, or even where ‘there’ is. All he knows is that his first name is Thomas and, once the doors open, he’s surrounded by other guys around his age who refer to him as a shank. Shank, shuck-face and klunk are just a few slang terms you’ll become accustomed to, hopefully, as Thomas does.

The Glade, this place the kids have been for the last few years, is a large piece of land surrounded by some gigantic walls, gigantic walls that are part of a huge maze. However it isn’t just the huge maze that’s the problem, there are creatures lurking out in the maze are well good at being scary. Thomas’s arrival becomes a catalyst for change, in the Glade. Something unexpected turns up in the elevator after Thomas that completely throws them all for a loop. It isn’t just the memory loss that disorientates and confuses Thomas, and the reader, events that should shed light sometimes only cast more of a shadow.

Written in the third person limited we know only as much as Thomas does, or rather what Thomas reveals to us at any given point. What I mean by that is sometimes Dashner deliberately withholds Thomas from fully disclosing certain ideas or epiphanies in his thinking. Now I’ve never been one for patience, however a little patience can be rewarding if you’re going to read this book. Dashner deliberates the reveal of significant answers generating frustration both from the reader and the protagonist. There’s only so much ‘We can’t tell you!’ from the Gladers and ‘I don’t know!’ from Thomas I can take.

However if you’re keen for a dystopian young adult series with an ambiguous kick, then have a go at the Maze Runner. You’ll have to navigate your own labyrinth as you try to figure out what’s going on without seeing where you’re going, and at times you’ll come run into a bit of a dead end, but you’ll find that your minotaur may be closer to home than you think.

Special Mentions May Contain Spoilers:

- Not a spoiler, just in case someone’s gaze strays down just a shucking excuse to utilise the klunking slang. You shuck-face klunker! If you’re a greenbean to our site then welcome, even if you’re not a greenie I welcome you anyway.

- I think Dean Winchester said it best when he said:

- The movie that’s being filmed as I type? Based on some concept art that EW have released it should wind up looking rather spectacular. I also like the casting.

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